7–18 november 2012

Controversial British director Thomas Clay challenges the audience with a film based on the complicated relationship between a Western man and a Thai woman. They meet in Soi Cowboy, the red-light district of Bangkok, where they begin a silent relationship based on mutual exploitation. She alleviates his longing for love, and he provides an escape from prostitution. However, sex increasingly becomes an unwanted obligation for the woman. Meanwhile, a parallel storyline unravels, of a mafia enforcer in the countryside.
Soi Cowboy is Clay’s second feature, following his thought-provoking and nauseating The Great Ecstasy of Robert Carmichael (2005). At first, the protagonists are being closely examined through black-and-white footage and well-composed, precise frames. But as their personas develop, the footage switches to saturated images, shot with a hand-held camera. This technical approach also helps to underline the rural versus urban diversity of Thailand, a mix that strongly defines its culture.
| Title | Soi Cowboy |
| Director | Thomas Clay |
| Country | Thailand, UK |
| Prod. year | 2008 |
| Length | 117 min |
| Fest. year | 2008 |
| Section | Competition |
See all the festival films from 2008 »