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Pim pam pum!
By: Andoni de Carlos och Asier Urbieta
In the midst of urban chaos, the long arm of the law tries to uphold order by pushing back the thunderous citizens. Searching for a lost friend, a young boy tries to navigate through the madness.
Pim, Pam, Pum offers a marvelous demon-stration of cinematic craftmanship as we follow the boy in one tracking shot – a technical sequence that may symbolize the never-ending battle between people and authority. Seen through the eyes of a child, the brutal conflict depicted is stripped of its political aspects, leaving us with noting but mindless anarchy.
Osiki
By: Yiannis Veslemes
A failed game of Scrabble, techno from hell and a group of friends soon to be separated is at the center of this dreamy tale that also stars a gigantic anthropomorphic fish.
Osiki is a naturalistic story placed in a manufactured fantasy world. Mixing elements of European art house cinema with strobe lights and Ray Harryhausen-esque adventure animations, director Yiannis Veslemes creates a hallucinatory drama about a group of characters who dreams of escaping reality and refuses to follow social norms.
Lebensader
By: Angela Steffen
In her graduation film, Angela Steffen creates an animated and poetic universe that opens up inside a little girl’s leaf. Filled with fantastic creatures travelling through oceans and skies and floating into each other in fascinating patterns, the leaf becomes a dreamy sanctuary. But outside awaits something else - darkness - filled with evil creatures and threatening shadows. Lebensader is a delicate and beautiful project, exploring both the dreams and fears carried by a child.
Mimesis
By: Camille Meynard
An unusual take on the life of suburban youth, Mimesisdepicts the meeting between a cheerless mime and a young boy. Opening with a carnevalesque fight, the story follows the mime to his gloomy apartment where he gets harassed by a bunch of kids throwing rocks through his window. Filmed in black and white, MIMESIS is an almost expressionistic take on lost innocence in modern times. The mime becomes a touching symbolic figure as he lost and lonely strives to bring innocence and playfulness back into a world overshadowed by violence.
Beguine
By: Douwe Dijksta
The painful throes of modern-day heartbreak are given fresh treatment by Dutch filmmaker Douwe Dijkstra. In this video for musical ensemble De Kift’s song Beguine, a slip and tumble through the floor at an office party lands the protagonist in an ocean of blood. What follows is an impressive display of Dijkstra’s mastery of innovative visual effects, resulting in a playful and sensual collage of broken dreams, melancholy, and just a little bit of hope.
Transgress
By: Leanne Welham
Set in a nocturnal London, director Leanne Welham’s short film debut is both ambiguous and unsettling. When a woman hits a man with her car she is immediately struck with guilt and tries to persuade him to let her take him to a hospital. Although injured, the man curiously refuses. Despite an inauspicious start, the two strangers soon find an uncanny connection, and the night takes a most unexpected turn. Transgress is as much an allegory of inhuman foreign policy as it is a heartfelt depiction of a random encounter.
One Man Band
By: Martin Rosete och Luis Perez
A happy one-man band shows up in a little village, his only wish to perform for its citizens. He soon realizes that his audience will be hard to please. Pérez and Rosete’s world is that of a silent-movie nightmare from the 1920s - a world of austere black-and-whites, offset by splashes of garishly colored banknotes. Dispensing altogether with verbal communication, Pérez and Rosete instead turn to exaggerated sound effects to convey their critique of the harsh world of the recording industry.
Clown's Lament
By: Gabriel Dowrick
Far from the colorful circus tents, surrounded by ominous darkness, a clown tells the story of how he met the love of his life. Clown's Lament is a one-man show built on classic dramatic structure - a single actor's monologue on lost moments, framed in an isolated, monochromatic space. The film is haunting in its film-noir aesthetic and forcefully driven by Aaron Scully's intense performance.
You were not alone
By: Kim MinJeong
Using split screen effects and a minimalist narrative, director Kim Min Jeong brings us face to face with the panoptic eye of the city when depicting an ambush in an empty alley that is witnessed by more than just two eyes.
In this animated Korean short, we are all voyeurs watching the assault through the lenses of surveillance cameras to the sound of classical music. Still, just like the people watching the assault in one of the film’s many frames, we are mute and unable to interfere. But would we, even if we could?
26.4
by: Nathalie Andre
A beautiful experience of nature, visual as well as audiovisual, can turn into a nightmare in the blink of an eye. Nathalie André’s short film 26.4 depicts a brutal meeting between nature and an unknown trauma, sprung from the world of modern society.
André showcases a remarkable visual language directly concerned with the body and physicality as we encounter a woman, dressed in leather jacket and boots, struggling through deep vegetation while being terrorized by the extremely subjective sights and sounds that surround her.
